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Design process of the Japanese pavilion in Venice Biennale (1956) by Takamasa Yoshizaka

Reconstruction of formal manipulations through a morphological analysis of design sketches and drawings held by the National Archives of Modern Architecture, Tokyo

Author(s): ORCID (Division of Architecture, Graduate School of Engineering Mie University Tsu‐city Japan)
ORCID (Division of Architecture, Graduate School of Engineering Mie University Tsu‐city Japan)
ORCID (Division of Architecture, Graduate School of Engineering Mie University Tsu‐city Japan)
Medium: journal article
Language(s): English
Published in: Japan Architectural Review, , n. 1, v. 6
DOI: 10.1002/2475-8876.12305
Structurae cannot make the full text of this publication available at this time. The full text can be accessed through the publisher via the DOI: 10.1002/2475-8876.12305.
  • About this
    data sheet
  • Reference-ID
    10700578
  • Published on:
    16/12/2022
  • Last updated on:
    16/12/2022
 
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